Since 1995, Mary McCartney’s photographic work has focused on discovering those rare moments of unguarded, emotionally-charged intimacy that offers us a new insight to the subject.McCartney’s work has concentrated on the world of portrait and candid reportage photography and is suffused with a deep personal investment that captures the creative chemistry between Mary and her subjects.McCartney’s responses to her wide variety of subjects are as spontaneous as they are studied, as shown by her first solo exhibition ‘Off Pointe – A Photographic Study of The Royal Ballet After Hours’ in October 2004. A series of powerful images that reveals the chaos of life behind the scenes of the elite Corps de Ballet and the contrast between the sometimes gruelling, painful lifestyle of the dancers and their fairy tale performances.In ‘Playing Dress Up’ (Goss Michael Foundation, Dallas 2007), McCartney chronicled the rarefied and at times, both monotonous and madcap, world of high fashion, both on the catwalk and backstage with an unreserved collection of images.

McCartney’s talent for encapsulating the inspirations, histories and personalities of her subjects, such as Tracey Emin dressed as Frida Kahlo, is most evident in her recent exhibition ‘Developing’ (The Lowry, Manchester, 2013). Showcasing her distinctive style in portraying visually vulnerable, off-guard portraits that seem unlikely without McCartney’s affinity with her subject.

McCartney also has a number of photographs in several group commissions that were exhibited internationally including the National Portrait Gallery, London (Gay Icons, 2009) and The Waterfront, New York City (Strength and Beauty Embodied by Avant-Garde Women, 2007).

Born in 1969, in London, Mary McCartney’s assignments have led to her work appearing in editorial titles such as Harper’s Bazaar and Interview Magazine as well as high impact advertising campaigns for clients such as Vertu, Aga, Asus, Galaxy, Adidas and Mandarin Oriental.